Get the Kodak Ektar 100 Film Look in Lightroom.
“My pro tip: Ektar 100 is a landscape and travel film, not a portrait film. If you’re shooting people, apply the preset and then pull the orange slider in HSL back by 15-20 points. That’s all it takes to keep skin looking natural while the rest of the image keeps Ektar’s color punch.” – Richard
Unlock the true potential of your photos with Kodak Ektar 100 Lightroom presets!!
Kodak Ektar 100 is a color negative film (C-41, ISO 100) with the finest grain of any color negative film at that speed. Reformulated in 2008, it’s still in production today.
Ektar is built for saturation. Reds go deep, greens get rich, blues punch hard. It’s a landscape and travel film, not a portrait film. The same red bias that makes nature shots look great tends to push skin tones orange on people. If you’re shooting portraits, pull the orange/red saturation back after applying, or use Kodak Portra 400 Presets instead.
What’s Included
» 8 Kodak Ektar 100 Presets
» 20 Clean Edit Presets
» 1x Instruction Guide (PDF)
» File formats: XMP, DNG
» 8 DNG Files
» Free Upgrades
Clean Edit Presets
Use the Clean Edit Presets to make basic adjustments and set the foundation for your image. They also speed-up your workflow and offer you endless style combinations.
You receive this presets as digital download
immediately after purchase.
Desktop
» Adobe® Lightroom® 7.5 or later
» Adobe® Camera Raw 10.5 or later
Mobile
» Adobe® Lightroom Mobile
» Android & iPhone
Get 8 Ektar 100
Film Simulation Presets
Ektar 100 base
Standard Ektar rendering. High saturation, vivid reds and greens, fine grain, clean highlights. The closest match to what the film looks like when correctly exposed.
Ektar 100 vivid
Pushes Ektar’s saturation further. Reds and greens go deeper, contrast increases. Works best on landscapes and travel shots with strong natural color in the scene.
Ektar 100 cool
Shifts the overall palette toward blue-cyan. Takes the edge off Ektar’s warm reds. Good for overcast light or scenes where you want the saturation without the warmth.
Ektar 100 warm
Adds a slight amber push on top of the base rendering. Accentuates Ektar’s natural red bias. Works well on golden hour and warm-light shots.
Ektar 100 pulled
Simulates pulling the film one stop: softer contrast, slightly lower saturation, more open shadows. Reduces the high-contrast harshness of the Base on bright scenes.
Ektar 100 pushed
Simulates pushing. Deepens shadows, increases contrast, intensifies color. Good for underexposed images or when you want more visual separation between tones.
Ektar 100 flat
Lifts the blacks and reduces contrast. Gives the Ektar palette a faded, matte quality. The saturation is still present but the tonal range is compressed.
Ektar 100 balance
A corrective base preset. Use it first to set exposure and white balance before applying another Ektar variant on top. Good starting point for difficult or mixed-light exposures.
From warm tones to rich grain, our film photography presets cover every analog style, browse the full Kodak Lightroom Presets collection.
Image: Kodak
Kodak first introduced an Ektar film in the late 1980s as part of its professional film range. That version was discontinued in the early 1990s as film technology moved on. In 2008, Kodak brought the Ektar name back with a fully reformulated emulsion and a specific claim: the world’s finest grain color negative film at ISO 100.
The 2008 Ektar 100 is still in production. You can buy it today in 35mm and 120 medium format, it’s one of the few professional color negative films Kodak still manufactures.
What the reformulated Ektar did differently was push color saturation far beyond what Kodak’s other negative films offered. Portra was designed for restraint and accuracy. Ektar was designed for impact. The result was a film that dominated in landscape, nature, travel, and architecture work, anywhere the goal was vivid, punchy color with maximum sharpness and minimum grain.
The trade-off is portraits. Ektar’s red channel is strong enough that skin tones regularly shift orange when the film is used on people. It’s not a flaw, it’s the same bias that makes landscapes look spectacular. You just need to correct for it in post if you’re using it on faces.
Key facts:
- Film type: Color negative (C-41 process)
- ISO rating: 100
- Format: 35mm and 120 medium format
- Grain: Ultra-fine, finest grain of any color negative film at ISO 100
Exposure latitude: Wide for a negative film - Color character: Ultra-high saturation, strong reds and greens, vivid blues
- Best for: Landscape, nature, travel, architecture
- Use caution for: Portraits, high red saturation pushes skin tones orange
- Status: Still in production, relaunched 2008, available today
- Kodak Ektar 100 spec sheet (PDF)
These Kodak Ektar 100 Presets recreate the look of the world’s finest-grain color negative film. Here’s what to know:
- They work in Lightroom Desktop and Lightroom Mobile for Android and iPhone.
- RAW files give the best results. Ektar’s saturation and tonal character come through more accurately on RAW than JPEG.
- Ektar 100 has wide exposure latitude for a negative film, but it still rewards correct exposure. Images overexposed by more than a stop will clip highlights, check them before applying.
- The film is not designed for portraits. If you apply the Base or Vivid preset to a portrait and the skin looks orange, drop the orange and red saturation sliders in the HSL panel. That’s the Ektar behavior, it’s how the film behaved on skin in real use too.
- The Vivid variant can be intense on images that already have strong color. If it’s too much, try Base first and adjust contrast manually.
- Pulled works well in direct sun where the Base contrast reads too harsh. Pushed works well on flat, overcast images that need more tonal separation.
For a step-by-step workflow using these presets on high-saturation scenes, see the Lightroom Workflow for High-Saturation Film Looks.
With our Clean Edit Presets you can set the perfect foundation of your image by adjusting for example white balance, exposure, whites, tones, etc. Each clean edit preset changes only one value, without overwriting other adjustments and values.
You can use the Presets in XMP format also in Adobe Photoshop
Installing Presets in Adobe Camera Raw (ACR) 10.3+ (Windows & Mac)
- Open your image in Adobe Photoshop.
- At the top menue click on Filter and select “Camera Raw Filter”.
- On the right you see the word “Basic” click the small burger next to it. Then, click “Load Settings”.
- Choose the .xmp file(s) from downloaded and unzipped folder. Then click on “Load” button.
- To apply a preset, click on OK button.
As soon as your payment went through, you receive the download link direct by email.
Just follow the easy instructions at How to install Lightroom Presets and start using them on your desktop or mobile device.
License Terms
The Presets are licensed for individual use only. Resale or redistribution is strictly prohibited. This non-transferable license is limited to the original purchaser and does not extend to companies or partnerships.
No Refunds
All sales of these digital products are final with no refunds, returns, or exchanges permitted due to their downloadable nature.
By purchasing, you agree to these terms.
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Bernhard F. –
These are so good it’s stupid. Reds and oranges look insane without turning orange-orange, if that makes sense. My go to for anything outdoors now.
Jürgen M. –
I am from Germany and my English is not perfect but I want to say thank you for this preset. The colors are very rich, especially red and orange colors are looking amazing. Instructions for install was clear and simple. Will buy more presets from Legendary Presets soon.
Melissa K. –
Obsessed with the reds on this one! Makes my food photography actually look appetizing lol. Downloaded straight to my phone and works great with Lightroom mobile too.
Caroline W. –
I have a handful of the Legendary Presets collections already and this is quickly becoming one of my most used. Compared to some of the moodier sets I own, this one is bright and punchy, perfect for product shots and anything where you want colors to really sing. Editing time on a full shoot went from hours to like 20 minutes.