Want Stunning Black & White Photos? Get the Agfa Scala 200X Film Look in Lightroom!
“10 variants and they all feel like they came from the same film stock, which is the point. Some packs throw in random styles just to hit a number. Every preset here has a clear reason for existing. Highly recommend!” – Stavros M., Photographer
Bring Analog Elegance to Your Digital Photography!
Agfa Scala 200X was not a standard black-and-white film. It was a reversal film, the B&W equivalent of a color slide. Instead of producing a negative that needs to be inverted, Scala produced a positive transparency you could hold up to the light and see directly.
The blacks were genuinely black. The highlights were clean. The grain was finer than any B&W negative film at ISO 200.
That character is what these presets recreate. The contrast behavior, the way Scala rendered shadow detail without muddying it, and the tonal separation across midtones, all of it translated into Lightroom across 10 preset variants.
What’s Included
» 10 Agfa Scala 200X Presets
» 16 Clean Edit Presets
» 1x Instruction Guide (PDF)
» File formats: XMP, DNG
» 10 DNG Files
» Free Upgrades
Clean Edit Presets
Use the Clean Edit Presets to make basic adjustments and set the foundation for your image. They also speed-up your workflow and offer you endless style combinations.
You receive this presets as digital download
immediately after purchase.
Desktop
» Adobe® Lightroom® 7.5 or later
» Adobe® Camera Raw 10.5 or later
Mobile
» Adobe® Lightroom Mobile
» Android & iPhone
Get 10 Agfa Scala 200X Film Simulation Presets
Agfa Scala 200X Base
Standard Scala rendering. Deep blacks, clean highlights, fine grain. The closest match to what the film looked like on a light table.
Agfa Scala 200X HC
High contrast. Pushes the blacks deeper and lifts the whites. Strong differentiation between tones.
Agfa Scala 200X LC
Low contrast. Opens the shadow range for softer, more even tonal distribution.
Agfa Scala 200X Faded
Lifted blacks for a slightly washed-out, aged look. Less punchy than Base.
Agfa Scala 200X Red Filter
Simulates shooting through a red filter. Darkens blue skies dramatically, lightens skin and warm tones. Strong effect for landscape and outdoor portraits.
Agfa Scala 200X Blue Filter
Simulates a blue filter effect. Lightens blues and skies, darkens warm tones.
Agfa Scala 200X Green Filter
Simulates a green filter. Good for foliage and natural scenes.
Agfa Scala 200X Sepia
Adds a warm brown tone over the Scala base. Classic darkroom sepia conversion.
Agfa Scala 200X Cream
Soft, warm off-white tone. Lighter and more subtle than Sepia.
Agfa Scala 200X Selenium
Adds the cool blue-black shift of selenium toning, a traditional darkroom technique used to archive prints and add depth to shadows.
We have a large selection of analog film filters, give your images the unique monochrome look and explore more Black and White Lightroom Presets here.
Image: Agfa
FAQ
Agfa introduced Scala in 1993. It was one of only a small number of black-and-white reversal films ever made commercially available, and the only one at ISO 200.
Unlike conventional B&W films such as TRI-X or T-MAX, which produce a negative image requiring inversion to print or display, Scala produced a positive transparency. The developed film strip showed the image directly, bright areas of the scene appeared bright on the film, dark areas appeared dark. This is the same principle as color slide film, but in pure monochrome.
The look this produced was distinctive. Because the image didn’t pass through the inversion and printing process of negative film, the tonal relationship between highlights and shadows was purer. Blacks were denser. Highlights stayed clean. The fine grain, even at ISO 200 meant it held sharp detail across the tonal range.
Scala required its own dedicated processing chemistry, known as Scala Process or Process 41. It could not be developed in standard B&W chemistry (D-76, HC-110) or color E-6. It needed specialist labs, which became rarer as digital photography reduced demand. Agfa discontinued Scala 200X in 2004.
Key facts:
- Film type: Black-and-white reversal film (positive transparency)
- ISO rating: 200
- Format: 35mm
- Processing: Scala Process (proprietary B&W reversal chemistry — not E-6, not standard B&W)
- Grain structure: Very fine grain for ISO 200
- Tonal range: Wide, with dense blacks and clean highlights
- Discontinued in 2004
These Agfa Scala 200X Presets recreate the look of a black-and-white reversal film, not a standard B&W negative conversion. Here’s what to know:
- They work in Lightroom Desktop and Lightroom Mobile for Android and iPhone.
- RAW files give the best results. The tonal behavior of Scala’s reversal rendering shows more clearly on RAW than JPEG.
- Because Scala was a high-contrast film, the presets respond well to properly exposed images. Heavily underexposed shots will lose shadow detail that Scala would have kept.
- The filter variants (Red, Blue, Green) work best when your original image has color information for the filter to act on. A photo already desaturated before applying will show less difference between them.
- Use HC for strong graphic work, architecture, street, bold compositions.
- Use LC for portraits or scenes where you want softer tonal gradation.
- The Selenium and Sepia variants add a tone over the B&W base. If the effect is too strong, lower the intensity in Lightroom’s HSL panel.
For the full range of B&W film preset options, see our Black and White Lightroom Presets.
With our Clean Edit Presets you can set the perfect foundation of your image by adjusting for example white balance, exposure, whites, tones, etc. Each clean edit preset changes only one value, without overwriting other adjustments and values.
You can use the Presets in XMP format also in Adobe Photoshop
Installing Presets in Adobe Camera Raw (ACR) 10.3+ (Windows & Mac)
- Open your image in Adobe Photoshop.
- At the top menu click on Filter and select “Camera Raw Filter”.
- On the right you see the word “Basic” click the small burger next to it. Then, click “Load Settings”.
- Choose the .xmp file(s) from downloaded and unzipped folder. Then click on “Load” button.
- To apply a preset, click on OK button.
As soon as your payment went through, you receive the download link direct by email.
Just follow the easy instructions at How to install Lightroom Presets and start using them on your desktop or mobile device.
License Terms
The Presets are licensed for individual use only. Resale or redistribution is strictly prohibited. This non-transferable license is limited to the original purchaser and does not extend to companies or partnerships.
No Refunds
All sales of these digital products are final with no refunds, returns, or exchanges permitted due to their downloadable nature.
By purchasing, you agree to these terms.















Emese F. –
The HC and LC variants alone are worth the price. HC gives you a punchy, graphic look with strong differentiation between tones. Good for anything with hard light. LC opens the shadow range without making the image look flat. Having both in the same pack means you’re not stuck with one contrast behavior across every situation. Good presets!
Rodrigo R. –
Solid pack, happy with these presets! I’ve tried so many B&W presets and most of them kill shadow detail to make the contrast look dramatic. This one doesn’t.