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Stand Out. Get 5 Fujifilm PRO Film Stocks. One Lightroom Collection.
“Has drastically improved the color in my portrait work.these actually feel like the real film stocks rather than just a color grade with a film name attached. So glad I bought the full collection.” – Marife M., Photographer
Fujifilm PRO Film Presets for Lightroom
The Fujifilm PRO film series ran from the mid-1990s through the early 2000s and covered ISO 160 to ISO 800. It wasn’t one look, it was five distinct film stocks, each designed with a specific color rendering in mind. Portrait photographers, fashion shooters, and wedding photographers chose between them carefully because the differences mattered.
This collection gives you all five in one pack. 52 presets built from the actual color character of each film. Here’s what you’re getting:
What’s Included
» 7 Fuji Pro 160C Presets
» 7 Fuji Pro 160S Presets
» 7 Fuji Pro 160NS Presets
» 7 Fuji Pro 400H Presets
» 8 Fuji Pro 800Z Presets
» 16 Clean Edit Presets
» 1x Instruction Guide (PDF)
» File formats: XMP, DNG
» 28 DNG Files
» Free Upgrades
Clean Edit Presets
Use the Clean Edit Presets to make basic adjustments and set the foundation for your image. They also speed-up your workflow and offer you endless style combinations.
You receive this presets as digital download
immediately after purchase.
Desktop
» Adobe® Lightroom® 7.5 or later
» Adobe® Camera Raw 10.5 or later
Mobile
» Adobe® Lightroom Mobile
» Android & iPhone
Fuji Pro Preset Collection:
1. Fujicolor Pro 160C
Warm skin tones, fine grain, amber-yellow bias. The portrait film for photographers who wanted a warmer, more flattering push from their film. 7 presets covering natural, vivid, warm, cool, pulled, pushed, and flat variations.
Want just this film? Fujicolor Pro 160C Presets – individual pack
2. Fujicolor Pro 160S
Neutral to slightly cool. Fine grain. A cleaner color palette than 160C without the warmth. Used in fashion and editorial work where the Fuji rendering was wanted but the warm push of 160C wasn’t. 7 presets.
Want just this film? Fujicolor Pro 160S Presets – individual pack
3. Fujicolor Pro 160NS
The most neutral Fuji Pro film. Natural Skin rendering: low saturation, clean midtones, accurate skin without a color push in either direction. The studio photographer’s choice when color accuracy took priority over style. 7 presets.
Want just this film? Fujicolor Pro 160NS Presets – individual pack
4. Fujicolor Pro 400H
Pastel tones, soft contrast, slightly cool in the highlights. The defining wedding and natural light portrait film of the 2000s. Pulls beautifully to ISO 200. Fujifilm discontinued it in 2021. 7 presets.
Want just this film? Fujicolor Pro 400H Presets – individual pack
5. Fujicolor Pro 800Z
ISO 800 with unusually fine grain for its speed. Cool-to-neutral rendering with a slight blue cast in daylight. Built for low-light situations where resolution and grain control mattered. 8 presets.
Want just this film? Fujifilm Pro 800Z Presets – individual pack
Fujicolor Pro 160C
Fujicolor Pro 160S
Fujicolor Pro 160NS
Fujicolor Pro 400H
Fujicolor Pro 800Z
We have the largest selection of Film Presets Lightroom, give your images the famous Fuji film look and explore more Fuji Lightroom presets here.
Fujifilm’s professional film line covered the range that working photographers actually needed, from ISO 160 studio work to ISO 800 low-light documentary. What distinguished the PRO series wasn’t just fine grain and high resolution. It was that each film was tuned for a specific purpose.
The three Pro 160 films are the best example of this. 160C, 160S, and 160NS aren’t just the same film at different exposures, they have different color science. Fujifilm designed each one for a different type of controlled environment: warm portrait light (160C), neutral fashion and editorial (160S), and clinical studio skin accuracy (160NS). Choosing the wrong one for a shoot mattered. That level of specificity in a film series was rare.
Pro 400H extended the range to ISO 400 with a pastel, soft rendering that became the defining look of wedding and lifestyle photography in the 2000s. Pro 800Z pushed to ISO 800 while maintaining finer grain than any competing film at that speed.
Fujifilm discontinued Pro 400H in March 2021. The other Pro 160 films and Pro 800Z were phased out earlier as digital photography reduced demand for professional color negative film.
Key facts:
- Film type: Professional color negative (C-41 process)
- ISO range: 160 (160C, 160S, 160NS), 400 (400H), 800 (800Z)
- Grain: Very fine across all five films
- Color character: Warm (160C), neutral-cool (160S, 160NS, 800Z), pastel-soft (400H)
- Format: 35mm and 120 medium format
- Pro 400H discontinued: March 2021
These Fujifilm PRO Film Presets recreate the color character of five distinct professional film stocks. Here’s what to know before you start:
- They work in Lightroom Desktop and Lightroom Mobile for Android and iPhone.
- RAW files give the most accurate results. The tonal and color differences between the five film stocks show more clearly on RAW than JPEG.
- The three Pro 160 films differ in warmth. If you’re shooting portraits and skin tone is the priority, start with 160NS. If you want a warmer result, try 160C. If you want something in between, use 160S.
- Pro 400H works best on images with soft, even light, overcast, window light, or open shade. In hard direct sun, the pastel character can go flat. That’s not a preset issue, it’s how the film behaved.
- Pro 800Z is built for lower light. On bright outdoor shots, the cool tendency can read as cold. If that’s too much, lower the blue channel in HSL slightly.
- White balance matters more with these presets than with general-purpose edits. Set it correctly before applying, especially with the 160NS presets where skin accuracy is the whole point.
To compare the Fuji and Kodak Pro film looks, see Fuji vs Kodak Lightroom Presets: Which Look is Right for You.
For more on how these films compare to Kodak’s professional lineup, see Fuji vs Kodak Color Science in Lightroom.
With our Clean Edit Presets you can set the perfect foundation of your image by adjusting for example white balance, exposure, whites, tones, etc. Each clean edit preset changes only one value, without overwriting other adjustments and values.
You can use the Presets in XMP format also in Adobe Photoshop
Installing Presets in Adobe Camera Raw (ACR) 10.3+ (Windows & Mac)
- Open your image in Adobe Photoshop.
- At the top menue click on Filter and select “Camera Raw Filter”.
- On the right you see the word “Basic” click the small burger next to it. Then, click “Load Settings”.
- Choose the .xmp file(s) from downloaded and unzipped folder. Then click on “Load” button.
- To apply a preset, click on OK button.
As soon as your payment went through, you receive the download link direct by email.
Just follow the easy instructions at How to install Lightroom Presets and start using them on your desktop or mobile device.
License Terms
The Presets are licensed for individual use only. Resale or redistribution is strictly prohibited. This non-transferable license is limited to the original purchaser and does not extend to companies or partnerships.
No Refunds
All sales of these digital products are final with no refunds, returns, or exchanges permitted due to their downloadable nature.
By purchasing, you agree to these terms.















Leonardo H. (verified owner) –
The Fujifilm Pro Presets have transformed my editing process! They give my photos a gorgeous, professional look with minimal effort. I’m beyond impressed!
Amelia J. (verified owner) –
Film Quality in Every Shot! These presets are incredible! They capture the true essence of Fujifilm, bringing vibrant colors and perfect tones to every image. Highly recommend it to anyone wanting that polished, pro look.
Jakob P. –
This is one of my favorite collections. Easy to install, and with a few small adjustments they work well across very different types of shots. The Pro 400H presets are the ones I come back to most — the soft contrast and pastel rendering is hard to get right manually and this nails it.
Manissa G. –
I’ve spent a lot on presets before and never felt like I got this much range in one collection. Having 160C for warm skin tones and 160NS for more neutral, accurate color in the same pack means I’m not switching between different products depending on the shoot. These are my most-used presets now.
Ahmed E. –
You’ll want to spend a session getting familiar with which film suits your shooting style, but once you do, the workflow gets much faster. Good collection, definitely worth the money.
Thomas Jr G. –
These presets are amazing at making images pop without looking over-edited. Just a one-click improvement that still looks like your own work. I use them with every session now.
Doreen R. –
What sold me was having all 5 professional Fuji stocks in one download instead of buying them one by one. The colors are beautiful and the tones are consistent across the whole pack. I got so many more compliments on my portrait work after switching to these. Not going back.
Herunesh R. –
I’ve tried a lot of preset packs and they usually disappoint. These don’t. The 400H pastel tones are gorgeous and the 160NS neutral rendering is perfect for studio work where I need accurate skin without a color push. Easy to install, works on mobile too. This has joined my top 3 preset collections.